前(qián)身(shēn)是皇(huáng)軍軍港的吳港,戰(zhàn)後(hòu)成為船塢(wù)工人👷的生活煉(liàn)獄在資(zī)本家剝(bō)削(xuē)和枯(kū)燥生活的雙(shuāng)重煎熬下,躁(zào)動的年(nián)輕生命,一頭栽(zāi)進暴(bào)力(lì)漩渦(wō),延(yán)擱成長(zhǎng),終日在打鬥、賭博(bó)、酗(xù)酒中尋(xún)找暫(zàn)時的麻醉。吉田喜重通(tōng)過(guò)工頭之眼,對不(bù)合(hé)理的社會現實(shí)作出欲迎(yíng)還(hái)拒(jù)的批判(pàn),被視(shì)為日本新浪潮代表(biǎo)作之一。香山(shān)美子(zi)飾演純(chún)真(zhēn)的酒館女待,同情(qíng)工人👷卻(què)慘(cǎn)被強(qiáng)姦,正(zhèng)與負(fù)的能(néng)量,在大(dà)時代中比(bǐ)拼互(hù)滲(shèn),可(kě)有超(chāo)越對與錯,是與非(fēi)的位(wèi)置(zhì)?片(piàn)末(mò)火車(chē)站送(sòng)別一場,在家和社會之間(jiān),吉田喜重作出了(le)左(zuǒ)翼(yì)的選(xuǎn)擇(zé)。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007